As its title implies, “Notes on Displacement” is more of a scattered assemblage of scenes than a polished documentary. It follows the director, the Palestinian artist Khaled Jarrar, over travels from Greece to Germany — by boat, bus, train and frequently by foot — as he accompanies a group of refugees from Syria seeking a fresh start in Europe.
Nadira, the matriarch of the main family in the film, was born in Nazareth in 1936, and Mona, her now-adult daughter, was born in a refugee camp for displaced Palestinians in Damascus. Part of what Jarrar aims to show is the psychology — and absurdity — of being uprooted in two ways. (“When you get a German passport,” Jarrar tells Nadira near the end, “you can visit Palestine.”)
Jarrar, credited with the cinematography and sound, trails his subjects from camp to camp. (“Our dream,” one person says of the twists and turns, “has become to know where we are.”) Although the director occasionally identifies himself as an artist or insists to an authority figure that he has a right to continue filming, there are some points when he needed or chose to keep his camera hidden from view.
It is clear that this rudimentary setup means that a lot of the trek was lost. Many night scenes are barely legible, and there are still other moments when Jarrar, on the fly, appears to have been more concerned with recording sound than image. But this hectic, disorienting style is surely part of the message, given that the filmmaker pointedly saves basic biographical information for the closing titles. In its form, “Notes on Displacement” mirrors the terrifying, dangerous journey it chronicles.
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